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Contents
Revolution of forms
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Revolution of forms
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Cover
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Prepage
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Title page
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Figure
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acknowledgment
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Contents
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Acknowledgments
XXVI
Foreword
XXIX
Introduction
XXXII
Figure
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One - In the Beginning
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Marpacifico, 1936
3
Interiores del Cerro, 1943
3
La Jungla, 1943
4
Harrison and Abramovitz, U.S. Embassy, Havanna, 1952-53
6
Ricardo Porro, Franco Albini, Miguel Gastón, Fernando Salinas, and unidentified architect with model of proposed development for Habana del Este
6
Casa Falla Bonet, 1939
7
Cabana of the Hotel Kawama; 1955; Casa Ramirez Corría, 1956
8
Casa Alvarez, 1957
8
Casa Verdera, 1955
8
Casa Higinio Miguel, 1958
8
Medical Offices, 1953-54; Misiones Office Building, 1951-52; Tribunal de Cuentas, 1952-54; Sala Arcos de Cristal, Cabaret Tropicana, 1952
9
Casa García, 1953; Casa Ennis, 1957
11
Ramp from the Aula Magna to the Plaza Cubierta, Ciudad Universitaria, Caracas, 1952-53
13
Figure
18
Two: Founding the Schools
19
Schematic plan of Havana, with site for the National Art Schools in Country Club Park
20
Ricardo Porro
23
Ernesto Rogers and Roberto Gottardi
23
Vittorio Garatti seated on Havana's Malecon
23
Site plan of the National Art Schools
25
Detail of end of a Catalan vault, the School of Ballet
26
Guastavino Rib and Dome System, Gould Stable and City Engine, House at Broome Street, New York, 1902
27
Three: The National Art Schools
31
Students of Vittorio Garatti, 1962, with José Mosquera
32
Building a Trial Catalan vaulted cupola in the Courtyard of the Ministry of Public Works, 1961
33
Site of the School of Ballet in April 1961 and September 1961
34
School of Dramatic Arts: Areal view of construction
37
Roberto Gottardi with model of theater
37
School of Music: view of construction scaffolding, 1962; concrete ring base for Catalan vaults, 1962
38
School of Modern Dance: aerial view of construction; carpenters erecting scaffold
39
School of Basllet: schower room enclosrue at left, scaffolded Dance pavilion at Right, 1961
40
School of Ballet: aerial view of construction
41
School of Ballet
42
School of Modern Dance
43
Aerial view, 1965
44
Plan
45
Dance pavilion, interior view, 1965
46
Cafeteria, interior view
47
Section through dance pavilion; cupolas with planters built into structural frame
48
Landscaped view from exterior, 1965
49
Entry courtyard, 1965
50
View toward Dance pavilion from main plaza, 1992; Entry courtyard, 1992
51
Vaulted entry, 1965
52
Vaulted entry, 1992
53
Main plaza, classroom, 1992
54
Colonnade, 1997
55
Figure
56
School of Plastic Arts
57
Aerial view, 1965; Plan
59
Construction detail of vaulted entry
61
View toward entry, 1965
61
Roofscape, 1965
62
Landscaped view from exterior, 1965
63
Interior view of sculpture Studio, 1965
64
Painting studio, 1975
65
Exhibition gallery, 1965
66
Exhibition gallery, 1975
66
Central entry vault, Colonnade, 1992
67
Main Plaza with fountain, 1965
68
Main Plaza with fountain, 1992
69
Courtyard Amphitheater, 1992
70
School of Dramatic Arts
71
Model
73
Plan (Alex Brito and William Duncanson)
73
Longitudinal section through complex and unbuilt theater
74
View of passage, 1992
74
Courtyard amphitheater, 1997
75
Interior streetscapes, 1992-1997
76
Performance space, 1997
78
Exterior view of classroom, 1997
79
Detail of built-in classroom seating, 1992
80
Performance classroom, 1997
81
Abandoned construction, 1997
82
Pylons for unbuilt theater, 1992; Abandoned construction, 1997
83
School of Music
85
Exterior view and roofscape, 1992
87
Roofscape, 1963
88
Roofscape, 1992
89
Covered passage, 1992
90
Balcony and entry to recital hall, 1992
91
Subterranean corridor, 1965
91
Model of concert hall, 1962
92
Abandoned and occupied classroom, 1992
93
Recital hall, 1992
94
Detail at exterior of recital hall, 1997; view to recital hall from balcony, 1992; planters at beginning of paseo arquitectonico, 1992
95
School of Ballet
97
Roofscape, 1965
96
Elevation; roofscpae, 1965
99
Sketch, 1961
100
Vittorio Garatti and Alberto Moravia, 1970
100
Plan and aerial view,
101
Entry, 1965
102
Entry, 1963
102
Roofscape of elliptical Courtyard, 1965
103
View into elliptical courtyard, 1963
103
Roofscape.1965
104
Roofscape, 1992 und 1997
105
Entry, 1992; Foyer, 1997
106
Dance pavilion, 1997
107
Library, 1994; Administration and Shower room, 1997
108
Performance pavilion, 1997
109
Four: Crime and punishment
111
Construction of the vaults at the School of Music, 1962
113
Humberto Alonso, Ciudad Universitaria José Antonio Echeverría (CUJAE), 1964
119
La Papaya, School of Plastic Arts, 1965
120
Wifredo Lam, Quarto Famba, 1947
121
Ricardo Porro, Carlos Lechuga, Dr. Osvaldo Dorticós Torrado, Roberto Gottardi … inspecting the schools
128
Five: Other modernisms
135
Hans Scharoun, Berlin Philharmonic Hall, 1957-1963
136
Giovanni Michelucci, Church of San Giovanni Battista, Campi Bisenzio (Florence), 1964
136
Banfi, Belgiojoso, Peressutti and Rogers, Torre Velasca, Milan 1958
137
J. S. Coderch, ISM Apartment Block, Barcelona, Spain, 1951
138
Jordi Bonet, Church of San Medi, Barcelona, Spain, 1960
138
Carlos Mijares, Sn José Parochial Center, Jungapeo, Mexico, 1982
138
Rogelio Salmona, Quimbaya Gold Museum and City Center, Armenia
139
Eladio Dieste, Church of Atlántide, Uruguay, 1960
139
Walter Betancourt, Cultural Center of Velasco, Cuba, 1964-91
139
Félix Candela, Church of Our Miraculous Lady, Mexico City, 1954
140
Ricardo Porro, Competition project for a hotel, San Sebastián, Spain, 1963
140
Salvador de Alba Martín, Market at San Juan de los Lagos, Jalisco, Mexico, 1967
140
Oscar Niemeyer, Casino, Pampulha, 1942
142
Six: Road to rehabilitation
147
Rosendo Mesías, Revolución es Construir. … Architectura, (1991)
147
School of Ballet, 1996
149
School of Music, classroom, 1997
150
School of Music, The paseo arquitect´nico at entry, 1994
151
epilogue
157
Documents
159
Chronology - Selected chronological events
176
bibliography
183
Cover
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