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is owned by the Joanneum Museum in Graz (cat. no. 185). They were manufactured by 
Meyr’s Neffe/Adolf, and in another Variation the decoration was enriched by silver- 
yeilow and green enamei spots of molten giass (cat. no. 186). 
Blue-cased, cut giass is predominant not only in a design by Josef Hoffmann dated 1909 
(cat. no. 187), but also in giass commissioned by the Wiener Werkstätte, most of which 
stemmed from Otto Prutscher with a decoration sometimes referred to as “linear cut- 
ting” (cat. nos. 188-196). Once again, these were probably manufactured mainly by 
Meyr’s Neffe/Adolf. The technique used for a jardiniere by Artel/Prague would appear to 
be related, as here, too, vertical Strips of casing of various widths have been left (cat. 
no. 197). 
On the other hand, cut-out circles and ovals dominate the designs by Margold (cat. nos. 
198-199) and the giass of the Mühlhaus company/Haida (cat. nos. 200-202, 204), the 
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