GLASS CHRISTMAS TREE ORNAMENTS IN THE
CATALOGUE OF THE VIKTORIN A SPOL. COMPANY
HRADEC KRÄLOVE - KÖNIGGRÄTZ
It has been almost two years now since I acquired one of the
rare Company catalogues that rank among the priceless documents
of the glass craft. The jacket (ill. 163, p. 47) pictures a
little girl holding a glass bell in her hand and sitting next to an
open box of Christmas tree Ornaments. The large Company
emblem can be seen in the background. This emblem with a
Christmas tree and a Christmas star is repeated on the following
fourteen plates (it was cut away from the last plate).
The text in several languages (English, French and German)
points to the international nature of the target market, while the
Company name and the place-name are in Czech. The indication
of origin, MADE IN CZECHOSLOVAKIA, Stands at the left
edge. The title page (ill. 164, p. 48) cites the award of the
Grand Prix at the Brussels Exhibition of 1935, which gives us a
clue to the date of the catalogue. The back cover page (ill. 165,
p. 48) mentions the photographers of the pictures (K. Sterba -
O. Vokräl in Hradec Krälove) and the printer J. Dolezal (Cerveny
Kostelec).
On fourteen (unpaginated) horizontal plates hundreds of motifs
are offered to interested buyers (they are either printed in
color or in shades of blue). A sheet of transparent paper with
the corresponding numbers of the collection lies on top of
every plate. They can most likely be regarded as a help in placing
Orders since in addition to the numbers of the individual
items, the numbers for the contents of entire boxes (so-called
“assembled designs”) are also listed. For the sake of simplicity,
I have subsequently given the fourteen plates consecutive
numbers: pl. 1a, b up to 14 a, b (a = transparent paper with
numbers, b = plate with motifs). With few exceptions, the
Christmas tree Ornaments are grouped according to subject.
(pine cones, Christmas tree peaks, bells and Santa Clauses,
birds, balls, reflectors, other objects for hanging, and Christmas
tree Ornaments of various kinds, mostly with relief surfaces.
On the first sheet we find nuts and fish, an owl and a car,
that is, very different kinds of motifs.
The Company, Viktorin a spol. is listed in Contemporary address
books. The fact that this Company does not appear under
the heading of “Glass” but under “Chemical Industry” is
worth noting. Perhaps the materials used for painting were responsible
for this Classification. It can also be assumed that
the Company was also active as a product editor and/or exporter
and had the glass Christmas tree Ornaments decorated according
to specific patterns (probably by home-workers).
Previously I had to base my comprehension of the company’s
history entirely on entries in the “Industrie- und Handelscompass”
and related publications. According to them the Company
was founded in 1904 (see ill. 162, p. 46). It was not until
1937 that it started listing Christmas tree Ornaments in its program
(interestingly, only in the German language, not in
Czech). On the map of the “Österreichischer Zentralkataster”
(Austrian Central Land Registry) of 1908, that is, only slightly
later, Königgrätz and its geographical environs are seen
(ill. 161, p. 46), including Königinhof. The map in ill. 37 (p. 20)
shows a larger area, reaching from Gablonz in the north to
Caslau in the south.
The fact that the production of glass beads in the Königgrätz
district has a long tradition, is proven in the article by Karl
Trapp, “The Fabrication of Glass Beads in Königgrätz District”
(Die Glasperlen-Erzeugung im Königgrätzer Bezirke) in the
three-volume work, “Report of the Imperial Trades Inspectors
on Work in Homes in Austria” (Bericht der k.k. Gewerbe-Inspectoren
über die Heimarbeit in Österreich), Vienna 1900,
Volume 1, pp. 19-21 (pp. 43-45).
Work done in homes definitely accounted for a large share of
the production of the Christmas tree Ornaments shown in the
catalogue reproduced here. The role of the Company Viktorin
is most likely that of an editor which was responsible for production
and sales. Many questions remain unanswered: concerning
the designers of the patterns, the glass suppliers, retail
prices. The condition of the catalogue - damaged by water
and other substances - in no way diminishes the enormous
value of the information contained in the thin publication.
Unfortunately, it did not contain a price list. This is especially
regrettable, not only because of the missing sales prices, but
also because it is often very difficult to give the right description
of an object: hollow bodies that end in a point at the top
and the bottom (that is, with a pointed oval cross-section) are
called “eggs” in German sources (Kat. Karlsruhe 1996, p. 46),
but the same shape, albeit smaller, appears on the sample
cards from Gablonz as “olives.” Both expressions are naturally
only approximations of the shape.
The reproduction of the catalogues follows in a somewhat reduced
size; enlarged details can be found in connection with
the motifs (pp. 63-240), which are usually accompanied by details
with numbers.
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