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THE WORLD’S FAIRS
imposing their own idcas of taste and
beauty. It is the greatest advantage of
exhibitions, to give new inipulse to the in-
ventive ingenuity of the individual, and it
is by the arrangement, quite as much as
by the manufacture of the goods, that this
is done.
No one will deny that it is a great deal
easier for a Commission to impose their
own plan in detail, than to find an harmoni-
ous and attractive arrangement for the
varied results of individual taste. The
result is, however, not the same; the latter
renders the exhibition iuteresting, as every
detail is an original and complete concep-
tion in itself, while the former inakes
wliat should only be the means, the chief
end.
To arrange their department satisfact-
orily, seems unfortunately always to have
been the great diffieulty of the German
Commission at Universal Exhibitions. Tims
in the “Letters on England,” by Louis
Blanc [English translation, 1860, Vol. II.,
page 61], we find the following criticism
of the German department at the London
International Exhibition of 1862 :
“ We are assured that the Zollverein has
treasures to show, but, unfortunately, it
has not yet shown anything, through de-
fective arrangement. What is seen, is