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Full text : A classified and descriptive catalogue of the Indian department, Vienna Universal Exhibition 1873

190

soaked  in  water  for  24  hours,  after  which  it  is
kneaded  with  the  hands  and  feet  until  it  becomes
dough-like.  Lumps  proportionate  to  the  articles  to
be  made  are  then  mounted  on  a  wheel  and  formed
into  the  required  shape.  After  the  vessels  have
dried,  they  are  again  put  on  the  wheel,  and  finished
by  means  of  an  iron  tool  (samples  of  which  have
been  sent).  Tiles  are  prepared  in  moulds,  and  when
dried  are  rubbed  over  with  a  piece  of  wet  cloth  and
beaten  with  an  earthen  “  maul  ”  for  the  purpose  of
smoothing  the  surface;  they  are  then  kept  for  two
or  three  days  or  more  tili  they  become  sufficiently
firm,  and  after  having  been  eut  to  the  proper  size,
are  piled  on  layers  in  the  sun  to  dry.
The  vessels,  tiles,  &c.  having  been  sun-dried,  may
then  be  sent  to  the  kiln,  after  which  the  required
pattern  is  traced  on  them  in  the  following  manner.
A  perforated  paper  pattern  (see  speeimens  sent)  is
placed  upon  the  article,  and  powclered  charcoal
sprinkled  over  it.  On  removing  the  paper,  the
pattern  remains  on  the  earthenware,  and  is  then
brushed  over  with  a  solution  called  “  Sahree,”  the
description  of  which  is  given  below.
When  this  is  dry,  glaze  of  the  required  colour  is
prepared  and  poured  over  it;  the  article  is  then
allowed  to  dry  again,  after  which  it  is  placed  in  the
glazing  kiln,  and  subjected  to  the  required  amount
of  heat.  The  articles  are  only  removed  after  the
kiln  has  become  cold.
Preparation  of  “  Sal  ree.”
“  Sahree  ”  is  clay  found  only  in  the  vicinity  of
Sehwan,  and  vended  at  Hydrabad  (Sind)  at  a  rupee
per  maund  (82  lbs.).  When  required  for  use  it  is
put  into  a  large  vessel  over  night,  with  water  enough
to  cover  it.  In  the  morning  it  is  found  to  have
attained  the  consistence  of  paste,  and  this  being
strained,  it  is  ready  for  use.
Preparation  of  “  Moordarsing”  (Litharge).
For  green  colouring  two  pounds  of  “Sendoor”
(red  lead),  one  pound  of  “  Waree  ”  (sand),  and  a
quarter  of  a  pound  of  carbonate  of  copper  are  mixed
together  and  put  into  an  unbaked  vessel  previously
plastered  over  on  the  inside  with  a  mixture  of
“  Waree  ”  (sand)  and  “  Sahree  ”  (clay).  This  vessel
is  then  placed  in  a  heated  oven,  when  the  articles  are
melted  together  and  form  a  hard  substance,  used  for
colouring  green.  When  required  for  useit  is  ground
to  powder  in  a  hand-mill,  sifted,  and  mixed  with
wheat  paste.
For  red  or  yellow  colouring,  the  process  is  the
same  as  above  described,  substituting  red  “  Dha  ”  or
earth  for  the  carbonate  of  copper.
For  purple  colouring,  instead  of  a  solution  of
“  Sahree  ”  the  baked  tile  or  vessel  is  washed  over
with  black  “  Dha”  (earthen),  and  the  “  Moordarsing”
for  red  or  yellow  colouring  is  used  as  a  glaze.
For  blue  colouring  or  glazing,  lime  obtained  from
the  fiint  of  the  sample  sent,  is  freely  powdered,
sifted,  and  mixed  with  wheat  paste.  This  mixture
is  poured  over  the  unbaked  article  and  allowed  to
dry.  “  Lajwurde,”  a  blue  colour,  is  then  ground
on  a  stone  with  water,  to  the  consistence  of  paste,
and  brushed  over  the  prepared  article.  When  dry
“  Kashee  ”  or  white  glazing  matter  is  put  on,  and
the  vessel  placed  in  the  kilns  as  before.
If  the  “  Lajwurde  ”  (Lapis  Lazuli)  used  in  the
last  process  be  omitted,  the  result  will  be  simply  a
white  glaze.

“  Cashee-jo-rung  ”  or  glazing  composition.
This  is  made  of  four  parts  of  “  Chaneo  ”  (alkaline
earth)  and  one  part  of  “  Jubbul-jee-waree  ”  (hill
sand).  These  are  mixed  together  and  placed  in  the
kiln  to  melt.  The  substance  thus  obtained  by
fusion  becomes  the  glazing  material,  when  it  is
added  to  paste  and  used  as  other  pigments.
Ancient  brick  from  Tatta.
Bricks  from  the  ruins  of  Bumboor.—These  bricks
were  obtained  from  the  site  of  an  ancient  city  at
present  known  by  the  name  of  “  Bumbura,”  or  the
Kafir  or  Infidel  City.  There  are  reasons  to  suppose
that  this  ancient  place  was  known  during  the  eiglit
Century  as  “  Diwal  ”  or  “  Dawul,”  when  the  Mahomedans
  under  Mahomed  bin  Cassum  invaded  Sind.
It  was  the  first  city  stormed  by  him.  It  is  said  that
the  catapultas  he  used  in  the  siege  were  brought  by
sea  to  the  place,  and  that  it  was  then  the  principal
seaport  of  Sind,  on  the  Western  branch  of  the  Dalta
of  the  Indus.  There  was  a  temple  of  renowned
sanctity  in  the  fort  at  the  time  of  its  destruction,
and  hence  it  has  been  called  by  subsequent  Mahomedan
  Historians  “Dawul”  or  Temple,  but  it
would  appear  that  before  the  Mahomedan  conquest
it  was  known  as  “  Mahaara  ”  or  “  Munsawar.”  In
Arrian’s  Periplus  it  seems  also  to  be  the  same,  mention
  together  with  “  Gharra,”  the  first  probably  as
“  Barbarike,”  and  the  latter  as  “  Minaghara,”  both
described  as  the  first  ports  situated  at  the  mouth  of
the  Indus,  which  he  calls  “  Scynthus.”
Major  Rennell,  in  a  map  compiled  by  him  in  the
year  1783,  places  “  Dawul  ”  in  the  position  of  this
ruined  City.
Cabil  and  Yarrow,  of  Halla,  Haidarabad,  Sind.
Speeimens  of  pottery,  consisting  of  domestic  Utensils ­
  (of  a  similar  description  to  those  of  the  preceding
  exhibitor),  tiles,  mosaic-work,  &c.,  &c.
150  speeimens.
Collection  of  ancient  tiles,  as  follows  :—
These  interesting  relics  should  be  looked  at
in  connexion  with  the  photographs  (by  J.
Mitchie  and  Co.)  of  the  tombs  from  which  they
were  taken.  Vide  Notes  referring  to  these
photographs.
Tiles  from  the  tomb  of  Ameer  Khuleel  Khan.
Tiles  from  the  tomb  of  Nawab  Ameer  Khan.
Tiles  from  the  tomb  of  Dewan  Shoorfa  Khan.
Tiles  from  the  tomb  of  Mirza  Bakee  Tur  Khan.
Tiles  from  the  tomb  of  Mirza  Janee  Beg  and  Ghazee
Beg.
Glazed  tiles  from  the  ruins  of  Kullan  Kote  or  the
Great  Fort.
The  tiles  sent  were  procured  from  the  ruins
of  this  fort,  which  is  said  to  have  been  built  in
824  Hijree  (A.D.  1421),  on  the  ruins  of  a  still
more  ancient  fort,  said  to  have  been  in  existence
before  the  Mahomedan  era.  It  is  situated  near
the  north  or  right  flank  of  the  “  Buggar,”  or
Western  branch  of  the  Indus,  about  four  miles
South  of  Tatta.
Glazed  tile,  found  12  feet  below  the  surface  of  a
building  more  tban  400  years  old.  From  Tatta.
Glazed  tiles,  from  the  ruins  of  the  old  Portuguese
Chapel,  at  Tatta,  Sind.
The  town  of  Tatta  was  built  in  872  Hijree
(A.D.  14G7),  by  Jam  Nizamoodeen  Summa  (or,
as  he  is  more  commonly  called,  Jam  Ninda).
The  fort,  however,  was  commenced  about  1111
            
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