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villages of Santragadia and Gujadiha, a few miles
south of Nilgiri in the hills bordering on Balasore,
and at otlier places in the neighbourhood. Dishes,
plates, and bowls are also made from this stone.
The images after being carved are oiled and burnt
black.
About forty men are employed in making these
images at Puri.
A Collection of Utensils and Ornaments used in
Hindoo Religious Worship. From Howrah.
Kosä. A receptacle for holy water.
Kusi. An Utensil used for ladling water from the
kosa for bathing the idols.
Tat. A tray on which the Hindu idols are placed
for bathing.
Puspapätra. A platter for keeping flowers before
the idols.
Kunda. A deep tray used as a receptacle of water
offered to the idol.
Padmäsan. A bronze lotus stand for the idol.
The Utensils used in the worship of idols are gene-
rally made of copper but the Sastras permit the use
of those made of fig-wood. Those who can afford
have tliem made of silver. Three vessels are
necessary for the performance of a “ Puga,” viz.,
the “ Prokshanipätra,” a vessel from which water
is sprinkled on the offerings, the “ Arghyapätra,”
the vessel in which arghya is established, and the
“Sruva” or vessel for pouring water or other
liquids. The kosa with its two appendages, the
kusi and the kunda, serves the purpose of all the
above-mentioned vessels.
Dr. Leitner, Lahore.
Fourteen idols in brass and three in clay. (The former
from Allahabad, the latter from villages in Rawul-
pindi district.)
Buddha in brass, from Burmah.
Male and female emblems.
Utensils, Ornaments, paintings, &c. used in Buddhist
and Hindu worship. Some of these have been
described elsewhere, and will have to be studied
in connexion with the next group and with the
ethnographical catalogue.
Rangoon Local Committee.
Hpoongi’s bowl and stand from Bahmo. This is
one of the begging bowls used by the Buddhist
priests to collect the offerings of food, &c. made to
them by the Burmese.
Specimen of glazed metal applied to the ornamen-
tation of Buddhist pagodas and other religious
edifices.
GEOUP XXIV.—OBJECTS OP PINE AETS OP THE FAST.
EXIIIBITED BY AMATEUES AND OWNEES OP COLLECTIONS.
Dr. Leitner, Lahore.
Bronze image of Budda.
Collection of 1,000 coins, Bactrian, Parthian, Arsa-
cian, Kishmiri, Indo-Muhammadan, Kufic, and
others in gold, silver, and copper.
Collection of 184 Graeco-Buddhistic, Indo-Scythic,
and ancient Hindu statues and sculptured frag-
ments from Yusufzai, frontier of Affghanistan,
Swat, &c., representing religious, social, and his-
torical scenes, architectural forms, &c.
1. Graeco-Buddhistic, which show the influence
of, presumably, Greek art on the repre-
sentation of early and pure Buddhism.
II. Indo-Bactrian, which show the relation of
the Bactrian Satraps with Buddhist or other
North Indian princes.
These two groups were chiefly found at
Takht-i-Bahai, in Yusufzai, in 1870, in
various parts of the Punjab Northern dis-
tricts (Taxila, Rawalpindi, &c.), and in
Swat.
III. Indo-Scythian.
IV. Ancient Hindu.
These were chiefly found in the central
provinces of India many years ago.
V. Indo-Buddhistic, as showing the gradual
corruption of Buddhism by re-absorption
into Brahminical forms. Chiefly collected
about the Jhelum district of the Punjab.
VI. Barbaric. Found in the Central Provinces.
1 to 12. Photographs of sculptures and fragments
referable to the above groups.
The following are also enumerated as a portion of
Dr. Leitner’s Collection.
1. Hindu deity, apparently modelled after Budda
obtained from a nun at Keta’s (the ancient
Sinha-para, now a saered tank and shrine in
the Jhelam district of the Punjab), in whose
family it is said to have been for 800 years.
2. Lingam and urn (male and female emblems).
3. Casts showing (a) fire worship; (b), the public
games at the times of the Grseco-Buddhists;
(c), Bactrian camels, as proof of northern
invasion; (d), Indo-Scythian king; fe), face
of Indo-Bactrian king.
8. Very ancient brass jug, elaborately carved,
showing various scences out of the Ramayana,
&c. In the first row the hunt and rape of
Sita; in the second a Sanscrit invocation ; in
the tliii'd various scenes in the conquest of
Ceylon ; in the fourth various incarnations of
Vishnu culminating in that of Buddha ; in
the fifth Shivaic emblems. This jug is almost
a resume of Indian mythology.
9. Indo-Scythian king, still showing traces of the
head-dress of the Graeco-Bactrians and cor-
ruptions of Greek art, under seven-headed
serpent.
10. Head of barbarian.
11. Mythological groups. Krishna sporting with
Radda; goddess suckling a swan (the Indian
Version of the history of Leda), &c., &c.
12. Barbarian king wearing a corrupt Grseco-Bud-
dhist head-dress.