MAK

Volltext: A classified and descriptive catalogue of the Indian department, Vienna Universal Exhibition 1873

22 
Buddhist figure. Konch. 
A beautifully carved figure. ChilUor. 
A prince on horsebaok. Dapthu. ^ ^ ^ 
9. A beautifully carved figure. Simroun. 
Large figure of Surya. Simroun. 
Fine statue of Saky'a Singba. Kispa. 
Fine statue of Sakya Singha. Kispa. 
Large figure of Budh. Buragaon. 
Fine statue of Buddha. Genjan. 
Jajpore on tbe Byturni river, was at various penods, 
from the 7th Century downwards, tbe residenee oiAhe 
sovereigns of Orissa. The sculptures in these three 
frames, except tbe two first, however, appear to belong 
to tbe 12th to 14th centuries, but as the buildmg 
which they once adorned was destroyed by the Ma- 
bomedans, it is not easy to feel certarn as to their 
date. 
10. Tbe Virgin Goddess. Vellore Pagoda. 
Sculptured Capital. Kirwuttee. 
Indrani. Jajpore, in Cuttack. 
Indrani. Jajpore. 
11. Chamunda. Jajpore. . 
Upper portion of colossal figure. Jajpore. 
Colossal figure. Jajpore. 
12. Image of Garuda. Near Jajpore. 
Lath. Near Jajpore. 
Figure from the Beroja Temple. Jajpore. 
Varahi. Jajpore. 
The following six frames (13 to 18) eontain 
examples of sculpture from all parts of India, and of 
all ages except the most ancient. Tbougb none 
of them individually are of the higbest dass, they 
together form a good illustration of the mode in 
which sculpture was applied by the Indians, and a 
fair representation of its average merits. 
13. Window of perforated stone. Nursapoor. 
Window of perforated stone. Nursapoor. 
The Great Temple. Sanctuary of the Pavillon. 
Hullabeed. Mysore. By Dr. Pigou. 
14. Shravana Bala Gola in Mysore. The great 
Jain statue. By Captain Lyon. 
Carved stone figures at Mahavellipooram. 
Carved stone figures at Mahavellipooram. 
Panel. Elephanta Cave. By Bom Uy Photo. Co. 
Group of Mahadeo and Purwutty in the Dhumar 
Lena. Elora. By Bourne and Shepherd. 
15. Group of monkeys carved in stone. Mahavel 
lipooram, near Madras. 
Gunesh, the God of Wisdom. Mysore. 
By Dr. Pigou. 
Group of elephants. Mahavellipooram. 
Figure of Nara Singha. From Hullabeed. 
The Hunooman at Beejanuggur. 
By A. C. B. Neill. 
16. Ruined temple of Hallabeed. The great stone 
bull. By Captain Lyon. 
Colossal bull at Chamoondee. Mysore. 
Colossal bull at the French rocks. Mysore. 
By Dr. Pigou. 
17. Idol car with stone wheels. Bunshunkuree. 
By Col. Biggs. 
Idol car at Chamoondee. Mysore. 
Idol car. Seringapatam. By Dr. Pigou. 
18. A memorial stone. Hungul. 
Two sculptured memorial stones. Hungul. 
Sculptured memorial stone. Hungul. 
By Br. Pigou. 
19 and 20 are devoted to the illustration of the 
sculptures of the Sanchi Tope, and are selections 
from the plates of the work on Tree and Serpent 
Worship, published at the expense of the Indian 
Government by the author. The Tope itself probably 
dates from 250 n.c. The sculptures of the gate- 
ways here illustrated appear all to belong to the 
first Century of our era. 
This Tope is situated near Bilsah in the native 
state of Bhopal in Central India. 
19. Front view of eastern gateway. Sanchi. _ 
Front view of northern gateway. Sanchi. 
Eastern view of Tope. Sanchi. _ 
Northern view of Tope. Sanchi. 
Photo, by Lieut. Watcrhouse. 
20. Rear view of northern gateway. Sanchi. 
Rear view of eastern gateway. Sanchi. 
Ruins of Western gateway. Sanchi. 
Ruins of Western gateway. Sanchi. 
Chaitya Hall. Sanchi. 
Sculptures on eastern gateway. Sanchi. 
Ruins of Vihara. Sanchi. 
Photo, by Lieut. TVaterhouse 
21 to 24 are illustrations of the Amravati Tope, and 
are likewise selections from the plates of the work 
onTree and Serpent Worship. They belong prinei- 
pally to the 4th Century of our era; a few may 
be a Century older, and some extend down to about 
the year 500. 
Amravati is situated on the banks of the river 
Kistnah about 70 miles from its mouth, in the 
Madras presidency. 
21. Elevation of external face of outer enclosure. 
Amravati. 
Elevation of internal face of outer enclosure. 
Elevation of internal faces of two pillars of 
outer enclosure. Amravati. 
Elevation of internal faces of two pillars of 
outer enclosure. Amravati. 
Elevation of internal faces of two pillars of 
outer enclosure. Amravati. 
Fragments of internal frieze of outer enclosure. 
Amravati. 
Fragments of internal friezes of outer enclosure. 
Amravati. Photo, by TV. Griggs. 
22. Amravati tope. Bas-relief representations of 
the Tope itself from the sculptures of the 
inner enclosure. By TV. Griggs. 
23. Fragments of sculptures. Amravati. 
By TV. Griggs. 
Fragments of sculptures. Amravati. 
B By TV. Griggs. 
Restoration of a portion of inner enclosure. 
Amravati. By TV. Griggs. 
24. Amravati Tope. Bas-relief representations of 
the Tope itself from the sculptures of the 
inner enclosure. By TV. Griggs.
	        
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