MAK

Volltext: A classified and descriptive catalogue of the Indian department, Vienna Universal Exhibition 1873

3G 
named, beautiful in detail. The Jumma Musjid is 
one of the finest of its dass in India, but the archi- 
tectural pride of Beejapore are its Tombs of its last 
three kings. That of Ali Adil Shah (22/) left un- 
finished in 1579; while the Ibrahim Royah,—1579 
to 1626,—is more extensively and more elaborately 
ornamented than any other tomb in India; and 
the tomb of Muhammad is remarkable as being 
practically the largest and holdest specimen of dome 
construction in the world. 
222. The eitadel. Ruins at hack of the harem. 
Beejapore. 
The citadel. The Makkah Musjid. Bee 
japore. 
The citadel. The Ananda Mahal or harem. 
Beejapore. 
The citadel. The Audience Hall. Beejapore. 
By Captain Lyon. 
223. The Jumma Musjid. View of the front. Bee- 
japore. 
The Jumma Musjid. The interior. 
Ibrahim Rozah. Window and carvings on 
wall. 
Jumma Musjid. The Mehrab or altar. 
By Ccvptain Lyon. 
224. Palace of the Asir-i-shärif. Beejapore. 
Ruins of a portion of the citadel and old hridge. 
Beejapore. 
The citadel, the sat-khund and garden. Bee 
japore. 
Jumma Musjid, view from the roof. Beejapore. 
By Captain Lyon. 
225. Part of the ruins of citadel. Beejapore. 
The moat walls of the citadel. Beejapore. 
The great gun. Beejapore. By Captain Lyon. 
The long gun. Gulburgah. 
Inscription at the entrance to the bastion. 
Gulburgah. Ly Bombay Photo. Co. 
226. Mehter Mahal, carvings on doors and Windows. 
Beejapore. 
The Mehter Mahal. North and west sides. 
Tomb outside the city. Beejapore. 
By Captain Lyon. 
227. Ibrahim Rozah. The mosque. Beejapore. 
Tomb of Muhammad Shah. Beejapore. 
Tomb of Ali Adil Shah. Beejapore. 
By Captain Lyon. 
228. Ibrahim Rozah. The mausoleum. 
Ibrahim Rozah. The colonnade. 
Ibrahim Rozah. General view. 
By Captain Lyon. 
Ahmedabad was the Capital of a Mahomedan 
dynasty for 187 years (1396 to 1483), and like 
Juanpore and Beejapore, had a style of archi- 
tecture of its own. In this instance even more 
resembling that of the Hindus than the style of 
Juanpore. It was situated in Guzerat—a country 
long before, as well as now, remarkable for the arehi- 
tectural taste of its inhabitants;—and the Ahmed 
Shahi dynasty, though Mahomedan in religion, were 
Hindoos in blood and intermarried freely with the 
natives of the country. Hence the peculiarly rieh 
and elaborate style of their architecture. 
The public buildings of Ahmedabad are smaller 
in scale than those of the other Mahomedan capitals 
of India, but they make up for this by their number 
and variety and the exquisite beauty of their details. 
As a rule they are so similar in detail that it is at 
first sight difflcult to detect their sequenee, but there 
is a uniformity of excellence throughout that is very 
remarkable. The typical specimens of detail are, 
perhaps, the two pierced Windows of the Bbudder 
(238), which in their dass are unsurpassed ; though 
few mosques are devoid of smaller bits of equal 
beauty. 
229. Towers on the river Saburmuttee. Ahmedabad. 
By Ritter and Co. 
Kankariyah tank, carvings on outlet. Ahmed 
abad. 
View of tomb from top of the mosque. 
Ahmedabad. 
By Captain Lyon. 
230. Jumma Musjid. General view. Ahmedabad. 
The Teen Darwaza. Ahmedabad. 
The Jumma Mosque, centre arch. Ahmedabad. 
The gaol. Ahmedabad. By Captain Lyon. 
231. Jumma Musjid. The mehrab or altar. Ahmed 
abad. 
Jumma Musjid. The front. Ahmedabad. 
Jumma Musjid. The interior. Ahmedabad. 
By Captain Lyon. 
232. Hurut Chaoodeen’s musji. Ahmedabad. 
Asarwa. Dada Harir’s mosque. Ahmedabad. 
Asarwa. Dada Harir’s tomb. Ahmedabad. 
By Captain Lyon. 
233. Shah Alum. The mosque. Ahmedabad. 
Shah Alum. Entrance to tomb. Ahmedabad. 
Shah Alum’s mosque. Ahmedabad. 
By Captain Lyon. 
234. Shah Alum. Gate at north side of enclosure. 
Ahmedabad. 
Shah Alum. General view. Ahmedabad. 
Shah Alum. Tomb at entrance. Ahmedabad. 
Shah Alum. Carved stone Windows of tomb. 
Ahmedabad. By Captain Lyon. 
235. Ranee Seepree. General view. Ahmedabad. 
Ranee Seepree. The mosque. Ahmedabad. 
Ranee Seepree. Detail of carving. Ahmedabad. 
By Captain Lyon. 
236. Ranee Seepree. Detail of carvings on tomb. 
Ahmedabad. 
Ranee Seepree. View from the road. Ahmed 
abad. 
Mulik Alum’s Mosque. Ahmedabad. 
By Captain Lyon. 
237. Mohafiz Khan Mosque. Ahmedabad. 
Mohafiz Khan Mosque, carvings on minaret. 
Ahmedabad. 
Mohafiz Khan Mosque, carved stone pulpit. 
Ahmedabad. By Captain Lyon. 
238. Seedee’s Mosque, marble window. Ahmedabad. 
Carved window of stone in the Bhudder. 
Ahmedabad. 
Carved window of stone in the Bhudder. 
Ahmedabad. By Captain Lyon- 
239. Sirkej, ruins of palace on side of tank. Ahmed 
abad. 
Sirkej, the Mosque. Ahmedabad. 
Sirkej, the Tomb. Ahmedabad. 
By Captain J/yon.
	        
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