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Full text : Ceramic art : a report on pottery, porcelain, tiles, terracotta and brick, with a table of marks and monograms ...

WALL  AND  FLOOR  TILES.

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2.  "Armorial  bearings  of  the  Sovereign  or  iudividuals  connected ­
  witli  the  monastery  by  benefactions  or  otherwise;
personal  devices  or  mottoes.
3.  "  Ornaments  conformable  to  the  style  of  architecture  or
character  of  decoration  prevalent  at  the  period,  but  devoid  of
any  special  import.”

Some  of  the  emblemätic  figures,  of  which  examples  characteristic
  of  these  old  ecclesiastical  tiles  are  here  given,
consist  of  lions,  dragons,  and  adders,  and  have  beeil
supposed  to  have  reference  to  the  text,  "  Thon  slialt
go  upon  the  lion  and  the  adder:  the  young  lion  and
the  dragon  shalt  thou  tread  under  thy  feet.”
The  tiles  of  the  earlier  manufacture  generally  measure  tive
inches  square,  and  the  later,  six  inches.  Some  have  been
found  niue  inches  square  and  two  and  a  quartcr  inches  thick.
A  specimen  in  the  writer’s  collection,  probably  from  the
Malvern  kilns,  is  a  little  over  five  inches  square  and  threequarters

  of  an  inch  thick.
The  material  is  ordinary  coarse  red  clay,  such  as  is  used
for  making  brick,  and  the  design  appears  to  be  formed  by  a
lighter  colored  clay  filling  incisions  or  impressions  in  the  surface,
  and  subsequently  glazed.  The  design  is  supposed  to
have  been  impressed  by  a  stamp  while  the  clay  was  still
moist,  and  the  depression  so  formed  was  filled  by  the  lighter
clay  in  the  condition  of  thin  paste,  for  the  cavities  are  frequently
  seen  to  be  but  partially  filled.

Prosser’s  Method.
But  tiles  are  no  longer  made  in  Great  Britain  in  this
manner.  Prosser’s  method,  patented  some  thirty  or  forty
years  ago,  and  perfected  by  Mr.  Minton,  marks  a  new  era
in  tile  manufacture,  and  has  contributed  greatly  to  the
advance  of  this  branch  of  artistic  decoration.  It  consists
chiefly  in  the  use  of  powdered  clay,  instead  of  the  wet,
plastic  mass.  The  paste  being  duly  compounded  of  the
proper  clays  and  silex,  and  strained  through  cloth,  is  dri'ed
and  then  ground  to  powder.  This  powder,  when  slightly
damp,  is  pressed  in  steel  moulds  by  a  powerful  screw.
The  size  and  form  of  the  moulds  determine  the  size  and
            
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