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Volltext: Modern art education, its practical and aesthetic character educationally considered : being part of the Austrian official report on the Vienna world's fair of 1873

AMERICAN PREFACE. 
Vll 
lish People.” That tlie advocates of populär scientific education 
will, at an early day, obtain wliat tliey desire, cannot well be 
doubtcd. 1 Tlien, with a full development of the public scbool 
System established in 1870, tbe educational equipment of England 
will be complete and exceedingly eflicient. 
ART-INDUSTRIAL EDUCATION IN FRANCE. 
First fniits of systematic English art-education soon began to 
manifest themselves. At the Universal Exhibition, held at Lon 
don in 1862, the advancement in English art-manufactures, sinee 
1851, was clearly shown; and the French, ever sensitively alive 
to their industrial interests, took alarm. Such great results so 
soon achieved, what miglit not be expected in the future! France 
saw, indeed, that it was not safe to rely upon prestige, however 
distinguished: she saw that to stand still was to go to the rear; 
she saw that to maintain her position, so long indisputably held, 
at the head in art-manufactures, she must advance. The next 
year the Emperor appointed a large and able Commission, wliich 
was divided into sections, to investigate the subject of technical 
education in general, and of art-industrial education in particular. 
In 1865 this Commission submitted an elaborate report, showing 
what the Situation was at liome and in all parts of Europe. They 
declared tliat “ drawing, with all its applications to tlie different 
industrial arts, sliould he considered as the principal means to be 
employed in technical instruction.” They made sundry recom- 
mendations for the advancement of art-education, of drawing in 
particular, which the}- believed sliould be made more scientific, 
more uniform, and more general, if France was to retain her 
industrial supremacy. They would liave less of individual eaprice, 
and more teaching in harmonj- with sound and fixed educational 
principles. The government proceeded at once to act upon the 
advice of the Commission; and the art-instruction of France, 
which had so long been the best in Europe for industrial purposes, 
was in various points reconstructed and made better still. Steps 
were taken to provide better teachers, better appointed school- 
1 In 1873 the total nuinber of “science classes,” ander the Supervision of 
the Science and Art Department, was 3,810, in 1,238 sehools. Number of stu- 
dents, 44,012. Bnt the work is not systeiuatieally done yet.
	        
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