56
ART EDUCATION.
to show, and, in continuation of what bas so far been said, we
must now speak of tbe Royal Wurtejnberg Art-Industrial School.
The specimens of this school were exhibited in the middle of the
pavilion, in a pretty decorative an-angement, so tliat the various
drawings formed, as it were, an architectural wliole. The Commission
had taken care to exhibit all the branches of drawing and
modelling which are practiced in the institution. In style the
Renaissance predominated, but there were also very beautiful
studies from classical monuments, Pompeian mural decorations, &c.
High praise must be awarded to the outline Ornaments, to which
nanie, leaving it undecided which place is alluded to in the report. But the
towns or villages so marked are quite insignificant.
Asch 9,105 Laudskron 5,016
Aussig . . , ... . 10,933 Mondsee 1,240
Bielitz 10,721 Petrowitz ?
Brünn 73,771 Reichenberg . . . . ( . . 22,394
Carlstein (Karlstein?) .... 666 Rietz ?
Gablonz 6,752 Rochlitz (unter-Rochlitz?) . . . 8,097
Graz 81,119 Rothmülll 3,267
Gmünd 1,900 Rumburg 9,090
Graslitz 6,549 St. Ulrich 1,096
Hallein 3,614 Schönbach 2,640
Hallstadt 1,671 Steinschönau 3,100
Haida 2,009 Tachau 4,111
Hochstadt 1,492 Vienna (in 1864) .... 607,514
Hohenelbe 5,316 Walkern.......
Imst 2,236 Znaim 10,600
Innsbruck 16,324 Zwittau 5,781
For furtlier Information on teehnical and industrial edncation in ’Wurtemburg,
the reader is refered to Mr. John Scott RusselTs interesting work on
“ The Systematic Technical Edncation of the English People,” London, 18ß9.
It will he seen from the ahove lists tliat all tliese schools are located simply
with a view to the interests of the industries carried on in the various places.
The idea of limitiug the schools according to the popnlation is not entertained,
nor is this idea justified; for a town containing one thousand inhahitants
carrying on a special trade, certainly has more neeil of such schools, than a city
of teil thousand inhahitants carrying on no special trade. There are a nuniher
of American industries which might he iniproved by the iiistrumentality of
tliese schools. Take, for instance, the Yankee clocks. The elocks of the Black
Forest are no better, as clocks, yet they cominand the markets of the world;
wliile the Yankee clock, possessing no artistic features, generally speaking, is
restricted to certain markets. But tlien, in the Black Forest, art-education Is
a matter of course, wliile in America it" is generally regarded as of little value.
The sewing-iriachine is also awaiting its artistic development, not so inucli in
the case which encloses it, but ratlier as far as the machine itself is concerned.
The ne plus xdtru of artistic finisli, so far, appears to be black lacquer, and big
blotohes of mother-of-pearl. In the liands of artists, it must certainly be
capable of something better. — Transl.