AMERICAN PREFACE.
viii
rooms, better models and drawing-copies. The co-operation of
publishers was secured; for tliej* soon saw that they must furnish
better drawing-copies, otherwise tlieir publications would be ex-
cluded from the scliools. To impart a degree of uniformity to
instruction everywhere, especially in the matter of style, the gov-
ernment used its influence to introduee into all the leading art-
schools of the country a set of large drawing-plates, two hundred
in all, costing eight francs each. But so various are the schools
in France — some public, some private, some half-and-half, some
general, some special — for the education of the people, that
the government is obliged to resort to various means, direct and
indirect, to bring about any general educational reform. One of
the main objects of the Universal Exhibition held at Paris, in
1867 was to stimulate and unify the art-industrial education of
France. Since the disastrous war with Prussia, educational Prob
lems— general, industrial, and military — have received more
solicitous consideration than ever before at the hands of the
French authorities, both national and local. Indeed, with French
education of all kinds, the present is a reconstructive period,—a
fact that appears to be overlooked by those who so vehemently
urge us to imitate the art-instruction whicli has hitherto prevailed
in France. However well tliis art-instruction may have served its
purpose in the past, France herseif, by attempting many decided
changes, acknowledges that it is unequal to the present demands,—
that, in competing with thorough instruction based upon Art
science, her traditional methods cannot stand.
ART-INDUSTRIAL EDUCATION IN GERMANY.
Germany sliows that she, too, feels the impulse in favor of art-
industrial education ; her activity, however, would have doubtless
been more marked but for the military exigencies of the last
fifteen years. With German unity secured linder the leadership
of Prussia, it is probable that the development of industry by
educational means will heneeforth receive much greater attention.
But, in the past, art-industrial education has not been by any
means neglected. Not only in all the larger towns of the differ
ent States, as in Nuremberg, Munich, Berlin, have there long
been liberal provisions for the special training of art-workmen,
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