MAK

Volltext: Modern art education, its practical and aesthetic character educationally considered : being part of the Austrian official report on the Vienna world's fair of 1873

S WITZ ERL AND. 
137 
Geneva, St. Gallen, Lucerne, Scliaffhausen, Solothurn, Winterthur, 
and Zürich. Exhibitions are frequently helcl; collections of 
paintings have been begun, the more important works on art are 
purchased, &c., for the purpose of awakening a feeling for art in 
the people. 
Of the aids for teaching exhibited by the various cantons, the 
following must be specially noticed: — 
Ganton Aargau. — “ Copies for Stigmographic Drawing ” by A. 
Burri, also “ Copies for Geometrical Object Drawing ; ” the latter 
autographed, and accompanied by explanations for the pupils. 
Ganton Bäle-Campagne. — “ Copies for Freehand Drawing,” 
by A. Hutter (teacher of technical drawing at the Cantonal School 
at Bern, and at the Seminary at München-Buchsee). These copies 
begin with geometrical figures, and progress to plant-forms. In 
linear drawing they embrace geometrical construction, projections, 
and perspective. 
Canton St. Gallen. — “ Models for Elementary Class-Instruc- 
tion in Freehand Drawing,” by G. Bion; various geometrical 
forms cut from colored cardboard, to be attached to the black- 
board in combinations. 
Canton Turgau. — “Copies for Technical Drawing for In 
dustrial Improvement Schools, by J. H. Kronauer, professor in 
Zürich; geometrical principles followed by mechanical and 
architectural examples ; thirty plates of very beautiful execution. 
By the same author, “ Elements of Geometrical Drawing,” for 
People’s and Industrial Schools. Schoop’s “ Drawing-School for 
People’s Schools,” progressing nicely from stigmographic copies 
to freehand Ornament. 
Canton Tessin. — “ Corso Parietale d’Ornamenti,” by A. Rossi; 
large wall-charts in strong, black outlines, progressing from the 
simplest leaf-forms to larger flowers and Ornaments, also ammals, 
&C. 1 , somewhat perplexing in the course of instruction. By the 
same author, “ Corso Progressive d’Ornamenti,” Ornaments in 
outline, and shaded in two craj-ons; hard in execution. Older 
ornamental works, engraved on copper, by the same author, were 
also exhibited, but they left much to be desired in regard to taste. 
The same is true of the works by Prof. Ferri of Lugano. Ferri 
also exhibited bis engravings of the charming marble reliefs of
	        
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