XXXVI
AMERICAN PREFACE.
which he does not understand. He should not only learn to do a
thing, bat the reason for doing it.
8. In the order of instruction, the rendering of pure •form
should take decided precedence of light and shade.
9. Instruction in drawing should not be limited to any one kind
of drawing.
10. In order to develop the taste of the learner, the drawingcopies
and models should be as beautiful as it is possible to make
them. This is a matter of the utmost importance.
11. The pupil should be constantly exercised in making original
designs,—original applications of all the principles he acquires.
12. The study of the human figure should not be made the
foundation of art-industrial education. It should not form the
beginning of art-instruction for any purpose.
13. Those teachers succeed best who recognize instruction. in
drawing as an integral part of general culture, and treat it according
to systematic pedagogical principles and methods.
14. The instruction, in order to reach all, as demanded both by
general culture and by industry, should be made universal, and
should begin in the primary seliool. Special applications should
be reserved for special schools.
WO OBJECTIONS.
Without doubt, two objections will be made to the general drift
of this discussion. The one will come from those who hold that
the public schools should aim at general culture, at mental discipline,
giving little heed to the amount of Information imparted,
and no heed whatever to direct business or industrial results.
To form, not to inform, to make men, not workmen, is, in their
judgment, the only thing worthy the consideration of a public
educator. But there is another, and, it is believed, a more sensible
view, which holds that to make a good workman is to make a
man; that the acquisition of useful knowledge does not stand in
the way of mental discipline ; that the public schools should aim
1, to teach the things of direct use to the largest number, and,
2, to teach tliese things in such a way as to afford the utmost
amount of mental discipline. A knowledge of the practical
applications of drawing and art is of direct use to vast numbers.