38
ART ED üCATION.
and Eichstädt adhere principally to outline Ornament; at the Sem-
inary at Passau, unusual attention is devoted to drawing from
casts, but in a line-manner whicli cannot be recommended, as the
modulations of the form can never be mastered by it as well as
when tints are employed.
Regarding geometrical drawing, it may be said of the institutions
named, that projection is principally practiced in its application to
simple architectural subjects, such as columns, &c. For the pres
ent, systematical geometrical drawing is practiced but little in the
Seminaries. A small and concise manual by J. Böhm, “ Drawing
Geometry,” which was shown at the Exhibition, and which is
especially intended «for those who aspire to become teachers, is
well ealculated to supply the deficiency in this respect.
In the Real-Gymnasia of Bavaria, drawing is practiced, if not
with remarkable, at least with very respectable success. Ornament
is practiced almost exclusively, and the main stress is laid upon
correct outlines. The examples are taken from the Renaissance
and the Gothic style; the technical means are peneil and pen.
The first dass begins with geometrical forms, which are followed
up in the second dass by outline Ornaments; in the third and
fourth dass shaded drawing from casts is practiced, and the
more talented pupils are permitted to draw figures.
According to a royal enactment of the year 1867, it is the prov-
ince of the Bavarian Real-Gymnasia, to impart not only a general
scientific education, but also to provide for that knowledge which
is necessary as a preparation for the various callings requiring a
more intimate acquaintance with the exact Sciences. They are
therefore primarily intended to provide the requisite basis for the
studies of those who propose serving the state in a technical ca-
pacity, and, running parallel to the humanistic Gymnasia, they
presuppose the knowledge of the four classes of the Latin school.
A wider scope is consequently given to drawing in these schools,
than is given to it in similar institutions in Austria, in which,
indeed, the bifurcation lies in the foundation, the tendency is pre-
eminently humanistic, and little attention is paid to linear drawing.
In these Austrian schools, geometry is assigned to mathematics,
and projection is only practiced in the fourth dass, together with
freehand drawing, which, at the rate of only four hours each