MAK

Full text: Bugholz, vielschichtig : Thonet und das moderne Möbeldesign

Thonet’s Competitors II 
Fauteuil Nr. 38 Armchair No. 38 
Entwurf und Ausführung Design and execution: D. G. Fischei Söhne, Niemes 
Mimoh, um ca. 1890; Buche, massiv gebogen, Geflecht Beech, solid bent, cane; 
MAK H 2928/1987 
Sessel Nr. 41 Chair No. 41 
Entwurf und Ausführung Design and execution: D. G. Fischei Söhne, Niemes Mimon, 
um ca. 1890; Buche, massiv gebogen, Geflecht Beech, solid bent, cane; 
MAK H 2178/1969; Schenkung Bundeskammer der gewerblichen Wirtschaft 
Donation Federal Chamber of Commerce 
After Gebrüder Thonet's privilege was revoked 
in 1869, competing Companies soon also be- 
gan to manufacture furniture using solid wood 
bending technology. Initially, almost identical 
copies of the Thonet models were made, but 
eventually furniture with independently devel- 
oped motifs on the backrests could also be 
found. Both D. G. Fischei Sons and J. & J. 
Kohn each created a series of furniture whose 
design was based not as much on functional 
aspects as on the pleasure of ornamental de 
sign and at the same time demonstrated the 
complete mastery of the bending process. 1 In 
addition, there were a number of producers 
who also followed new directions in terms of 
construction: For example, the Belgian Com 
pany Cambier in Ath created a special type of 
leg Connection for which they procured a 
patent to protect. 2 On the other hand, the 
Spanish manufacturer Ventura Feliu in Valencia 
tried to make their mark with two different types 
of leg bracing. Another, probably also Spanish 
manufacturer added the leg connection, not 
as an independent component, but rather by 
developing it out of the rear legs: These were 
cut open and the inner part then bent so that 
it could be screwed to the diagonally opposite 
front leg. 
1 It may be an attempt to distinguish it from the Thonet model, 
comparable to the conscious “use of tumed parts to highlight a 
unique product identity." CF. Jaromira Simonikovä, Introduction, in: 
Ketterer Kunst Verlag, D. G. Fischei Söhne, Der Katalog von 1915, 
Munich 1992, VI-XXXV. 
2 German Reichs patent 68602, Berlin, 21 June 1892. (Friendly hint 
from Luc Snoeckx.) 
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