Simple Furniture
A
Nachtkästchen Bedside Locker, aus Interieur für
from the interior furnishings for Dr. Hugo Koller, Wien Vienna
Entwurf Design: Josef Hoffmann, Wien Vienna, um ca. 1905
Erle, massiv, Messing, Marmor Alder, solid, brass, marble; MAK H 2873-1/1983;
Schenkung Donation Hugo Josef Mair
Nachtkästchen Nr. 23.031 Bedside Locker No. 23.031,
aus der Garnitur 23.000 from the set 23.000
Entwurf Design: Gebrüder Thonet, 1911
Ausführung Execution: Gebrüder Thonet, Koritschan Korycany, um ca. 1912;
Buche, massiv, Sperrholz, Messing, Marmorplatte Beech, solid, plywood,
brass, marble top; Sammlung Collection Werner
Concepts of simplicity and expediency, such
as deliberate formal reduction or dispensing
with decorations, Ornaments and other repre-
sentative forms of expression, have been used
time and again since the 1800s as a stylistic
starting point for the design of modern every-
day objects. Starting from the straightforward
and geometric basic forms, the economic use
of the means and the increasing attention to
the usability led to functional, simple, and
smooth furniture already in the Biedermeier
Era. The general renunciation of bronze ap-
pliques and artistic Ornaments resulted in the
beauty of the often consistent-and yet still
comparatively elaborately designed-veneer-
ed surfaces being emphasized. 1 After the stylis
tic escapades of Historicism, the simple prod-
ucts from the Biedermeier Era were again mod
ern and often served as a point of departure
for the design of Contemporary everyday ob
jects at the beginning of the 20th Century. 2 The
choice of cost-effective materials or a prag-
matic surface treatment with lacquer paints of
ten made things even easier, as is demonstrat-
ed by a small bedside fable by Josef Hoffmann.
The bentwood furniture manufacturers also in-
creasingly turned to simple furniture without
any bent parts to be able to offer complete
room furnishings-so-called “sets” 3 . In addition
to larger carcass furniture, these sets included
smaller types, such as washing Stands or bed
side tables, whose surface treatment often
imitated a high quality execution in expensive
woods such as mahogany.
1 Cf. Exhib. Cat. Vienna i.a. / Ostfildern 2006: Biedermeier.
2 Cf. Sebastian Hackenschmidt, “Einfache Wiener Möbel," in:
MAK/Zine 1, 2012, 8-27. See also Detlev Schöttker (ed.),
Ästhetik der Einfachheit, Berlin 2019.
3 Cf. Thonet Catalog, 1904, 105 ff.
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