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Full text: Bugholz, vielschichtig : Thonet und das moderne Möbeldesign

GEBRÜDER THONET “ WIEN 
Federnde Gleittrnge Für Ueroundete 
k. u. k. Linienschiffsarzt 
Dr. FRANZ HAUCK. 
& 
Der Zweck dieser Glcittrage ist: 
„Schonender und rascher Transport eines 
Verwundeten über Treppen von Kriegs^ 
schiffen während der Gefechtspausen“ □ 
Keine Marine der Welt besitzt eine so praktische, schonende 
und dabei so leicht zu handhabende Tragbahre wie die k. u. k. österr.'ung. 
Kriegsmarine in der oben bezeichneten, vom Herrn k. u. k. Linienschiffsarzt 
Dr. Franz Hauck erfundenen und von uns verfertigten federnden Gleittrage. 
Werbeanzeige für eine „Federnde Gleittrage für Verwundete“, Entwurf 
Franz Flauck für die Österreichisch-Ungarische Kriegsmarine, um 1915 
Advertisement for a “flexible stretcher for the wounded," design Franz 
Flauck for the Austro-Hungarian Navy, ca. 1915 
in Austria, Germany, and Czechoslovakia. For example, at the second 
General Assembly of Mergers in December 1924, the national Company 
Thonet Mundus, spojene Öeskoslovenske tovärny na näbytekz ohyba- 
neho dreva A.S. Brno [Combined Czechoslovak Bentwood Furniture 
Factory Corporation of Brno], was founded. 17 Finally, in 1933, Leopold 
Pilzer was able to buy all of Thonet Mundus' shares from the Credit- 
Anstalt and was then the sole head of the Mundus Group. 18 The annual 
dividends of the 1920s show how successful the Company was under 
his management: In 1923 they amounted to 5% and rose by one percent 
each year to a respectable 9% by 1927. 
While the Kohn company’s archives are believed to be lost forever, in 
2014 and 2016, large parts of the archives of the Thonet Mundus Com 
pany were discovered by Radmil Tomcik, an employee of the TON 
Corporation in the attic of a building on the old Thonet factory site in 
Bystrice pod Hostynem. These documents contain lists of products from 
the Interwar Period, the years of the World War, and the first years of the 
Post-War Period. In total, the archive cards which were found list 6 247 
different pieces of furniture. One of the big surprises is the fact that here 
there are also numerous unknown models listed which cannot be found 
in any of the catalogs, including a large assortment of folding chairs and 
Office furniture as well as products that do not require any bentwood 
parts to produce. 19 The vast majority of the index cards also record the 
older catalog numbers, which made it possible to compile a clear con- 
cordance. 20 
From Bentwood Chair to Tubulär Steel Furniture 
The bentwood furniture designed by renowned architects and designers 
after the First World War was very different from the pre-war models: Art 
Nouveau had given way to objectivity. Only three people who had already 
worked as designers at the turn of the Century remained: Josef Hoffmann 
with two models, Otto Prutscher with a few more designs, and Gustav 
Siegel as the head of a designing office. The new generation of designers, 
which appeared in the second half of the 1920s, included names like 
Antonin Bocek, Josef Frank, Heyer, Ferdinand Kramer, Eberhardt Kraus, 
Hans Luckhardt, Adolf Gustav Schneck, Sostheim, Max Urban, Otakar 
Vanura, Prof. Paul and Insp. Slezäk. The architect Adolf Loos did not in- 
deed design a new model, but in an essay published in 1929, he claimed 
that already before the turn of the Century he had regarded the bentwood 
chair as “the only modern chair," asserting that the Thonet chair would 
be the successor of the dying classic, the carpenter’s chair. 21 With his 
prediction, however, he was correct only in so far as it was then the tubulär 
Steel chairs that were in accord with the Contemporary aesthetic tastes 
and which were also included in the program of the Thonet Company 
starting from 1929. The classic bentwood furniture, on the other hand, 
had gone out of fashion by 1930, at the latest. As the architect Karl Mang 
wrote in his book on Thonet in 1982, looking back at the bentwood fur 
niture that had been created since the mid-1920s; “The construction of 
tubulär Steel furniture, which has been in use over the years, seems to 
have inspired some designers to develop a rather strict concept of chair 
17 Cf. Amtsblatt der Tschechoslowakischen Republik, No. 288 from 20 December 1924. 
18 Three members of the Thonet family-Theodor, Dr. Richard, and Julius Thonet senior-were still 
represented in the management of the Czechoslovak subsidiary of Thonet Mundus. Cf. Geschäfts 
nachricht des Verwaltungsrates Thonet-Mundus, vereinigte tschechoslowakische Fabriken für 
Möbel aus gebogenem Holz A.G. in Brünn, für das Geschäftsjahr 1930/1931, presented at the 
9th Annual General Meeting of Shareholders held on 7 November 1931. 
19 In addition, the index cards prove the Cooperation with two Companies which needed bentwood 
components for their own furniture: The Mücke Melder Works as well as the UP Works Brno. 
20 The author of this essay has already prepared a comprehensive publication, which hopefully will be 
published soon. 
21 Adolf Loos, “Josef Veillich" (1929), in: id., Sämtliche Schriften 1, ed. by Franz Glück, Vienna/Munich 
1962, 436-442: 442. 
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