Running Chairs
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The furnishing concept of the palaces in
Vienna in the first half of the 19th Century also
included the so-called “running chairs," which
complemented the representative furniture as
light occasional furniture when needed and
which were constantly rearranged. Such light
and thus rather inexpensive seating furniture
was made by Michael Thonet for the Liech
tenstein, Schwarzenberg, and possibly also
Pälffy Palais. However, Thonet's first attempt
to create a chair in the style of his Boppard
chairs, but adapted to the taste of metro-
politan Vienna was not really successful: The
principle of the side frame chair can be seen
here only in the base frame, because for the
first time the crest rail and the rear Stiles
should be one single continuous component.
This required a three-dimensional bend, which
could be made only as an independent ele-
ment and then had to be mounted on the
lower part. Although the problem could be
mastered technically, the chair itself was still
too much rooted in the Biedermeier form
canon and could not convince in terms of
form. It was finally with the chairs designed
by the English architect Peter Hubert Des-
vignes for the Palais Liechtenstein-including
the model with a heart-shaped medallion in
the back shown here’-that Michael Thonet
was able to aesthetically exploit the bending
technique he had developed. In comparison,
the chairs by Carl Leistier, who had been en-
trusted with all the woodwork for the Palais
Liechtenstein, and whose workshop Thonet
was using at that time for doing his own work,
were also executed using templates by Des-
vignes but still look rather crude: They show
“how Desvignes’ traditional Rococo models
[...] are put into a new, fashionably renewed
dress.” 2
1 A comparable model can also be found in the Danhauser furniture
designs. See Musterkatalog der Danhauser'schen Möbelfabrik in
Wien, Vienna, no year, No. 96.
2 Michael Huey, Peter Hubert Desvignes und die Neo-Rokoko-
Gestaltung des Stadtpalais Liechtenstein 1837-1849, Vienna
1999, 238.
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