li
£H§!
'rnmmm
m
W-'«
BBi
süSSäsass
a
P\ff
W® ?;
rni&SBW
Wwam-i
Wääfc&
ks
üa
"•.'■kv. , .',v.:- ! ?vS
•feil i TO9«
fewOflaB
im
jwSi^pgiag
fädtkjf El . ■ 2:' öTl tt „tbfItS'fT'S
Uff- * '"''‘■'-p, "~‘’£- ''J^ . ^mV.
£C!gmtMiB aas»
IM
IHM
I
Itfeifli
■
as«
WWIsiKilP
liKsläli
aa
g§F 3158 •..% SsgSSBBSHXKJ
IWISifMiSldl
■
läf
siMHHSRt
Umm&mz.m
m
' -1,
sssiäi
äSSal-^is
iE ■ i
üü
ä£ü&il
«
YY*iY
:€?; E.y
aa
st
JEgm
§«
i
m
mm
pHH
m
W Hi
»
li
Hi
■MpSg^^agaHjpHB
I «sv
SmPi
V r
SP
m».
es
ms
SÄ
9 '®ÄM4^
jr 11 #|
Lif
li
IMHM|
■
i
E
&
Ilia
X'v!'
H
5S&
in
i
HtaHM
«üSa.
-fflß&ssk
«r ! uW
a
(«S5SÄ!
£S>f YÄ.s
wt a
C U‘
m
■■■■■■■
fjpP^.
«BRS^JShHI
IHM
IUI
W-
.mssm
i a s
WmMHI
fSlÖltel#*»
ifgj;
751 Orientalisierende Gläser, Weltausstellung Paris 1878, Reproduktion aus: Kat. Paris 1878, Art Journal, S. 84: „The renowned firm of LOBMEYR, of Vienna,
the chief of which is himself an artist of great ability, and who adds experience to matured skill and sound judgment in the management of the works, exhibits a
very large and most attractive coliection of production in glass. They comprise neariy all the articles to which the material can be applied, and are aiways of high
excellence, whether matters for ordinary daily use or objets de luxe. We select for engraving only the latter, but it will be seen that these are greatly varied. There
is no one of them, however, which does not manifest the influence of Art. But Herr Lobmeyr, besides being himself a sound critic as weil as a matured professor
of Art, obtains efficient ald from the best and greatest of the artists of Austria. They do not consider it condescending when they co-operate with a coadjutor so ac-
complished, who Is abie to give currency to their thoughts, and to present to the worid pictures, in the highest sense of the term, in a material that is imperishable.
Before our work is done we shall probably have occasion to allude more particularly to these gentlemen. in Austria, Germany, and France they are highly appre-
ciated. As yetthey are not so in England.“
751 Glasses with orientaily inspired decorations, Paris World Exhibition 1878, reproduction from: Kat. Paris 1878, Art Journal, p. 84
359