MAK

Volltext: Lampengeblasenes Glas aus Wien

Der Nachruf auf Josef Berger von Joanna Braithwaite, erschienen im „independent“, 
sei in der Folge ungekürzt wiedergegeben: 
JOSEPH BERGER was a notable exponent in Britain of the Viennese modernist school of archi- 
tecture. A product of the Technische Hochschule, he brought the tradition of Adolf Loos to Bri 
tain. 
Like Freud, Loos, Karl Kraus and Mahler, Berger’s origins were in Moravia, now Czechoslovakia. 
The exceilent Gymnasium education of the Austro-Hungarian empire, established under Maria 
Theresia, was the catalyst which enabled boys like him, whose fathers were born in the provinces, 
to emerge, in one generation, as Creative artists and intellectuals in Vienna. 
Discharged from Service in the Austro-Hungarian army in 1917, after being wounded in the Italian 
campaign, he behaved with characteristic independence and a degree of calculated recklessness 
by making his own way down to the valley, without waiting for a stretcher. Later he was to visit the 
same mountains armed only with paintbrushes and watercolours. 
Berger began his architectural studies in 1917 at the Technische Hochschule under Adolf Loos 
and Oskar Strnad. A protagonist of the Modern Movement, Loos was not only a brilliant architect 
and designer, but also a formidable writer, friend of Karl Kraus the satirist and of many of the 
leading figures who met and talked at the Cafe Central in pre-1914 Vienna. For Loos simple lines 
were of paramount importance; superfluous ornamentation was anathema. 
Joseph Berger would say quietly that Loos was not much of a teacher, but had the kind of Perso 
nality that would leave its mark on his students: and his influence is perceptible in Berger’s archi 
tectural projects. Oskar Strnad was, for him, the more stimulating. Strnad was a brilliant designer, 
eclectic, very imaginative and a dedicated and commanding educator. He is seldom mentioned 
outside Austria. One can see his influence in the delicacy of Berger’s furniture design. 
In 1922, Berger married the artist Margarete Hamerschlag. In private practice he began to make a 
name as an architect of distinction, as did his Contemporary Fritz Gross, who also came to En 
gland. His brother-in-iaw, Fritz Lampt, who ran the design firm Bimini, commissioned him to de 
sign furniture. Later, in England, their friend Lucie Rie, a distinguished potter, and Erich Fried, the 
poet, were to make glass buttons for Bimini, when they first emigrated. 
In 1934, after the murder of Dollfus, Joseph and Margarete left a darkening political Situation, ac- 
cepting a commission in Haifa, then Palestine. He had no illusions about the Nazis or about what 
would happen in Austria. 
Finding life in Palestine too raw culturally, they made for England in 1936, in time to see the rosy 
glow of Crystal Palace burning, and stayed. In 1940, after six bleak months interned on the Isle of 
Man as an enemy alien, Berger entered upon one of the most interesting phases of his Profes 
sional life. He joined the LCC scheme under Professor Abercrombie, which was to plan the re- 
construction of London after the war. 
In 1945 he joined the Department of the LCC concerned with building schoots. He designed 
Woodbury Down School in London N16, a landmark project in that he was the first to consult the 
teachers themselves about what they wanted. He fought many a battle on this subject with reac- 
tionary co/leagues at the LCC. 
In 1958 Margarete died. He shared the years of retirement which began in 1963 with Regina Gillin- 
son-Schein, the cellist. 
For the final three years of his life, he had kept the “Last Enemy" at bay. He savoured the good 
days with a quiet twinkle in his eye and a little smile of enjoyment. This year he visited Bethnal 
Green Museum of Childhood three times to see the exhibition "Professor Franz Cizek and his 
Children", where Margarete's work was being schown. He had been writing autobiographical pas- 
sages - intelligent, clear, straightforward, uncluttered by sentimentality, threaded with gentle 
irony. 
Joseph Berger represented the best of Central European civilisation in its translation to an En 
gland in which, by temperament, he feit totally at home. Joanna Braithwaite 
Joseph Berger, architect and watercolourist, born Vienna 1898, studied at the Technische Hoch 
schule Vienna 1917-21, in partnership with Martin Ziegler Vienna 1921-34, FRIBA 1950, married 
1922 Margarete Hamerschlag (died 1958; one son), died London 22 August 1989. 
ARTUR BERGER 
Über diesen Architekten sind uns die wenigsten biographischen Daten überliefert 
(geb. 1891 in Wien, gest. 1981 in Moskau). Er war zweimal verheiratet, lebte in Moskau 
und arbeitete für Mos- Film. 
Ein kurzer Nachruf in der Wiener „Wochenpresse“ (21. 1. 1981) lautet: 
Arthur Berger, aus Wien stammender Filmarchitekt, Bühnenbildner und Oskar-Strnad-Schüler, 
der mit Georg Pabst und Otto Preminger arbeitete und seit 1936 beim russischen Film Karriere 
machte, ist im Alter von 88 Jahren gestorben. 
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